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Nathaniel Riverhorse Nakadate swung through the homestead in June, and we sat down to chat about what he's been up to this summer and do a reading of his piece, A Southern Wish, from Issue 8.2 of The Flyfish Journal.
This episode is sponsored by Sage. Check out the recent Trout Season feature at https://www.sageflyfish.com/experience/seasons/2018-trout-season.
Music by Riverhorse.
In today's episode, I chat with Will Rice, an East Coast native and Pacific Northwest transplant by way of Colorado.
Will's work has been featured in The Denver Post, The Drake Magazine, The Flyfish Journal, and Angling Trade, among other publications.
Will sums up his fly fishing and writing philosophy pretty well: "I have always had one guiding philosophy for my outdoor writing: I am not alone," says Will. "If I think something is cool or have a kick ass experience, there are a ton of other folks who will be interested in hearing about it and best case entertained - and possibly even inspired to get out and do something new. Pretty simple stuff."
This episode sponsored by Sage Fly Fishing—Check out the Trout Season Feature here!
Music by Nathaniel Riverhorse Nakadate.
In addition to being one of the finest writers in fly fishing these days, Steve Duda has devoted the majority of his adult life to the art of editing, helping writers in various genres and disciplines create the very best work that they can. For the past 6 years or so, he's harnessed that drive to curate great writing to make The Flyfish Journal one of the best places in the world to find that writing.
In this episode, we hear Steve read two pieces from the 2016 Cascadia Tour: "A Frazzled Constellation" and "Make the Sky Better." During our (admittedly) long conversation, we chat about his early days as a music writer, his transition into editing, and the things that make him excited when he sits down to read submissions for TFFJ.
Music for this episode comes from South Sound Tug and Barge, of which Steve is the lead banjo wizard. Check out their new album, Pt. Defiance, which includes artwork by Jonathan Marquardt and photography from Earl Harper.
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